What Is Orange?

So what is orange?

Orange is warmth and sunlight, whether on my face or basking in a smile from my daughter.

My daughter in downtown Bar Harbor, Maine.  Post processed with Topaz Effects "Exposure Correction" and on1 frame "Platinum Brush".
My daughter in downtown Bar Harbor, Maine.

Orange is the glory of flowers, showing off their brilliance for all to see and enjoy.

Marigolds taken in the gardens at Colonial Williamsburg, Virginia.  Processed with Topaz Impressions "Abstract 2" and on1 border "Dano".
Marigolds taken in the gardens at Colonial Williamsburg, Virginia.

It is delicate sunrises and spectacular sunsets.

Sunset in Richmond, Virginia.  Post processed with Topaz Effects "Warm Tone 2" and on1 border "Sloppy Border 8".
Sunset in Richmond, Virginia.

It is fruits and vegetables, lined up gaily, whether for eating or decorations.

20111031 (170) Blog
Pumpkins taken in Harpers Ferry, West Virginia.

 

Orange is the first beauty of fall, the beginning of the long slide into winter (of which I’ve had enough, thank you).

Gazebo at the Lewis Ginter Botanical Gardens in Richmond, Virginia.  Processed in Lightroom with on1 border "Ghost Effect Black".
Gazebo at the Lewis Ginter Botanical Gardens in Richmond, Virginia.

It’s the color of a beagle’s head, waiting to be petted.

Beagle in the backyard.  Post processed with Topaz Impressions "Oil Painting by Jim LaSala" and on1 border "Russell".
Beagle in the backyard.

To see how others interpreted this week’s photo challenge for orange, click here.

Inspiration and A Funny Story

I’d like to thank Robin at Reflections For My Soul. The flowers she posted reminded me of warmth and sunlight. The day I viewed them, we had just had sleet and snow and then the temperatures went below freezing and stayed there.

Funny story there – I have two Robin’s who follow my blog and regularly leave comments. Yep, two of them. So when Robin at Reflections For My Soul started following me, I was initially confused, thinking that Robin at Breezes at Dawn had changed her avatar from the pictures of her crossed feet to that of a western style hat. It took me a few days to realize that no, I actually had two blogging friends named Robin and they were not the same person.

Before and After

Interested in the before and after of these photos? The sunset was truly that spectacular, being caused by a fire in the Great Dismal Swamp (yes, that’s really it’s name), causing a high level of air pollution due to the particulates it was throwing up.  The best camera is the one you have with and that night it was my old Canon point and shoot, the Pro1. It didn’t have a lot of megapixels, but I got the shot! I posted another version of this several years ago, here.

In the last few weeks, I’ve had some discussions with Stacy Fisher at Visual Venturing and Dee & Gee at Dee Gee’s Photograph Australia about camera gear and post processing our pictures. The reason I bring it up is to encourage you to look closer at these pictures. It is wonderful to have good gear, which is why I upgraded last year from the Canon Rebel 3Ti to a Canon 6D.  It’s also wonderful to use camera raw to get some extra help when post processing your photos.

But we can take the pictures from the old point and shoots, the pictures we took in jpg instead of camera raw, and the pictures that are just marginal, and make them better. They’re still usable! Yes, they might be better with a better camera, but at least for me, it was an evolution. My husband about sat on me to get to me upgrade my old point and shoot to a DSLR, the Rebel (I wouldn’t spend more than that). Even then, I wouldn’t shoot raw nor was I using Lightroom yet. Finally – FINALLY – I started using Lightroom. Cee Neuner and Steve Schwartzman in the blogging community encouraged me to shoot raw when I asked how they were shooting reds without the colors looking muddy.  My husband was happy for someone else to convince me to do it since he was unable to do so.

So here are the before and after shots, with the camera and type of shot used. Remember that with a jpg, the camera is making post processing decisions for you. That is why, straight out of the camera, a jpg looks pretty good. With camera raw, the camera makes no or minimal decisions, depending on your settings. You have to tell it everything, which is why the raw pictures below look so poor. The upside is there is a great more data available, so a picture can be really pushed with processing before it develops problems.

Taken with the Canon EOS 6D, using camera raw:

Taken with the Canon Rebel 3Ti, using camera raw:

Taken with the Canon Powershot Pro1, using jpg:

Taken with the Canon Rebel 3Ti, using jpg:

Taken with the Canon Rebel 3Ti, using jpg:

Taken with the Canon EOS 6D, using camera raw:

So stay encouraged. Keep taking pictures. Keep improving. And keep using the old pictures as well as the new. You’ve worked hard for your inventory and even if you can’t use them now, who knows what future software will make them usable?

For those who read this all the way to the bottom (thank you!), here is a final thought:

Listen to your life. See it for the fathomless mystery it is. In the boredom and pain of it, no less than in the excitement and gladness; touch, taste, smell your way to the holy and hidden heart of it, because in the last analysis all moments are key moments and life itself is grace.
– Frederick Buechner, American writer and theologian

Have a good week!

 

Post Processing Stained Glass Photos – Part 3

The final picture after processing.
The final picture after processing.  Taken at St. Saviour’s Episcopal Church in Bar Habor, Maine.

Last week, I started a technical series of how to post process photos of stained glass windows.  In Part 1, I went over taking and selecting which photo to use, making adjustments in Adobe Lightroom, and moving the picture to Adobe Photoshop for more complex work.

Part 2 showed how to correct for distortion (i.e., keystone effect) and adding in a hue / saturation layer.

Now that a hue / saturation layer is in place, it’s time to create a mask.  The mask blocks out what part of the picture I don’t want adjusted with the next step.  In this case, I will block out the background, then invert the mask (i.e., turn it inside out) so that any changes I make will adjust the background only and leave the stained glass alone.

Add in a hue saturation layer in order to darken the background.
Add in a hue saturation layer in order to darken the background.

On the hue / saturation layer, click the white box (see where the down arrow is pointing).  Another box will open up to the left, which I’ve put a big circle around.

To the far left are two boxes that should be black and white.  When I hover the mouse over them, they are called the foreground and background color.  Make sure the black is on top as shown here.  If it isn’t, click the tiny double arrow (shown with the tiny circle around it) to reverse the boxes.  If the black box isn’t on top, this won’t work right.  If my boxes have different colors in them, I click the itty bitty boxes next to the tiny double arrow.  That will restore the default colors of black and white.  I will have to click the double arrow to put the black box back on top.

Yes, itty bitty is a technical term, although I don’t think Adobe has it copyrighted :)

Click the mask and make sure the right colors get used when brushing the mask in.
Click the mask and make sure the right colors get used when brushing the mask in.

Now it’s time to brush in a mask and cover up the background.

Continue reading “Post Processing Stained Glass Photos – Part 3”

Post Processing Stained Glass Photos – Part 2

St. Saviour's Episcopal Church in Bar Harbor, Maine
Image after all post processing is done.  Taken at St. Saviour’s Episcopal Church in Bar Harbor, Maine

In my last post, I began a technical series of how I processed some photos that I took of stained glass.  Click here for Part 1, which explains how I selected the photo and began processing in Adobe Lightroom.  Click here to see the original post with all the photos.

At the end of the last post, I finished my initial edits in Lightroom and loaded the picture into Adobe Photoshop for further editing.  This begins with what I did next in Photoshop to improve the picture.

The first thing I do is create a duplicate layer.  This way, if something goes wrong, the layer can be deleted, a new one created, and I can start all over again.  In other words, I haven’t altered the original photo.  If I make a mistake and forget to add the layer, I save it right away with a new name so that I don’t accidentally overlay my original photo.  If something goes wrong, I have to delete the entire photo, but it’s better than having ruined the original photo.

To duplicate the layer, right click on the layer, which is shown in the down arrow and mostly hidden under the pop-up box.  On the pop-up box, click duplicate layer.  When the next box comes up, you can name the new layer or not.  You can always change the name later by double clicking on the name of the layer and then editing it.

Create a duplicate layer before doing anything.  This way if something goes wrong, you can delete the layer and start again.
Create a duplicate layer before doing anything. This way if something goes wrong, you can delete the layer and start again.

Continue reading “Post Processing Stained Glass Photos – Part 2”

My One Thing – Storytelling My Life

Path to Eagle Lake in Acadia National Park, Mount Desert Island, Maine
Path to Eagle Lake in Acadia National Park, Mount Desert Island, Maine

Pick a direction, start marching down that path and
see how you like it.  Time brings clarity and if you find
you don’t like it, you can always change your mind.
It’s your life.
– Gary Keller & Jay Papasan, The One Thing

The Short Version

After reading “The One Thing” by Gary Keller and Jay Papasan (see my notes on it here), I realized that my ONE Thing is storytelling my life.  Being a writer is too narrow for my life and being a photographer is also too limited.  I desire both and need both to achieve what I want, which is to record and curate my life.

I first read about curating my life on Gretchen Rubin’s blog (here), particularly her comment from a book that said, “self-curate or disappear”.  She expands on this with these questions, all of which I answered “yes” to:

How about you? Do you “self-curate”?
What steps do you take to preserve memories,
to catalog memorabilia, to leave a record of your life,
thoughts, experiences, and to review it?
Do you do it for yourself, or with an eye to an audience?

Wikipedia says curation is, “archiving, historical record keeping”, and that “in general, archives consist of records that have been selected for permanent or long-term preservation on grounds of their enduring cultural, historical, or evidentiary value. Archival records are normally unpublished and almost always unique, unlike books or magazines for which many identical copies exist. This means that archives are quite distinct from libraries with regard to their functions and organization”.

This is what I do with my journals and photographs.  I keep a historical record of my life that is mostly unpublished and mostly unique, for which no identical copies exist.

No Longer A Writer

I realized earlier this year that being a writer no longer fit me, way before I started contemplating my one thing.  In my journal, I wrote:

What about not being a writer?

I’m okay with that.

I don’t want to be in front of the computer for long periods of time, just staring at it.

I really really hate the thought of writing and rewriting and rewriting and rewriting all those drafts.  I’d rather watch grass grow – at least I’d be outside!

My imagination / observation is not up to that of authors.  I read all the details they put in to bring a story to life and it just blows past me.  I skip over a fair of that, which is NOT helping develop my skills as a writer either.  But if I find it interferes with the enjoyment of the story, I’d find it tedious to no end to actually write.

My life experience is actually pretty limited to be a writing what goes on in my Walter Mitty imagination.  My real life is narrow and boring with few opportunities to experience what I daydream about.  In other words, I would write without authority or knowledge.  I suppose I could obtain such knowledge through research but my time is limited, my energy is low, and my desire to do so is non-existent.

And the photography? It’s easier for me, goes faster, I have my favorite boy toy as a resource,  and people would rather look at picture than read something thoughtful anyhow.

So I guess I want to keep my journals, but for now, nothing more beyond that.

After I wrote that, I stared at it for a couple of days, then grieved.  I wasn’t ready to give up being a writer, something I thought all my life I would do.  So I decided to not give it up.

And a few days later realized that yes, this door was closed for now.  It really was good to decide that I’m not a writer.

Not Only a Photographer Either

As the summer went on, I realized that I didn’t want to be just a photographer either.  It would have been easy enough to convert my blog to mostly photographs.  I’m capable of some really good work and have enough inventory that I could post a daily picture for a fairly lengthy period before I’d run out of ideas.

But that didn’t suit me either.  Just as being a writer was too limiting, being only a photographer didn’t contribute enough.

Witch Hole Pond in Acadia National Park, Mount Desert Island, Maine
Witch Hole Pond in Acadia National Park, Mount Desert Island, Maine

Being a Storyteller

That’s when I realized that I wanted to tell stories from my life, with both writing and photography.  They complement each other and together give a fuller, more rounded story, the story of me.  Something to remember my life by and hopefully pass to generations after me.

Per Wikipedia, “storytelling is a means for sharing and interpreting experiences”, which is what I want to do.

Margaret Heffernan wrote an article in Inc. about a narrative template for storytelling, called ABT, that said:

So if you start with your information (And)
but only pile on information, you lose momentum
and a sense of destination. So you have to
move on to your challenges (But) and then
imagine a resolution (Therefore).

I haven’t overly focused on technique, but it matches what I try to do.  I make a point, share from my life how I executed (or failed) and why it was important to me.  As with anything, it doesn’t work everytime, but I get (and appreciate) the comments that you all are relating to many things that I post in my blog.

As I’m writing this, I did some research on Google about storytelling techniques.  Needless to say, there are all kinds of hints and tips out there.  Storyteller.net had a useful list of tips for those telling verbal stories that also applies to what I’m doing.  Two particularly good reminders were to tell stories that I like and to not hesitate to remove slow moving parts.  Amanda Lewan’s blog post is directed to the fiction writer, but she has a good reminder to show, don’t tell.

I’ve been working on this approach for a while and need to continue honing my skill at storytelling my life.  For now though, for my creative side, this is my ONE Thing.  Identifying it and writing it out nurtures my creativity by giving me focus and helping me prioritize my time and efforts.

To see everything I’m doing with my 31 Days of Nurturing My Creativity, click here.

To see what others are doing with their 31 Days project, click here.

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The One Thing – Book Review

View from Cadillac Mountain, Mount Desert Island, Maine.  This was taken from the Blue Hill Overlook.
View from Cadillac Mountain in Acadia National Park, Mount Desert Island, Maine. This was taken from the Blue Hill Overlook.

It’s not enough to be busy, so are the ants.
The question is, what are we busy about?
– Henry David Thoreau

Among the things I’ve done recently to nurture my creativity is to finish the book, “The One Thing: The Surprisingly Simple Truth Behind Extraordinary Results” by Gary Keller and Jay Papasan.  I’ve been reading it off and on all year, going back over parts several times.  More information and resources can be found at their website, the1thing.com.

Below are some of the parts that I highlighted because it really spoke to me.

My purpose here is to create a short list that I can refer to going forward.  The book is much more involved than this, with lots of examples of how to apply to this and pitfalls to watch out for.  The constant theme is encouragement that I can do this – it’s within reach.  But I have to act on it.  Reading about it, thinking about it, and talking about it is not enough to reach my goals.

  • Not everything matters equally
  • Success is sequential, not simultaneous.  You do the right thing and then the next right thing, building success over time.
  • Only ONE Thing can be the most important.
  • No one succeeds alone.
  • Passion and skill are connected.  Passion leads to disproportionate time practicing or working on something.  When skills improve, results improve, which leads to more enjoyment, more passion, and more time invested.
  • Achievers work from a clear sense of priority.
  • Multitasking is a lie and exacts a cost few realize they’re paying.
  • We don’t need more discipline than we have right now.  What we need is the habit of doing it and just enough discipline to build the habit.
  • Build one habit at a time and give it enough time (66 days at least) to get solidly established.
  • Willpower always being on will-call is a lie.  Willpower has a limited supply and has to be managed like food or sleep (see the extensive list of what taxes willpower in Chapter 7).
  • A balanced life is a lie.  Time on One Thing takes away time from another.
  • We have to envision our own journeys, make our own maps, and create our own compasses.  What we want doesn’t come with a set of instructions.
  • See Chapter 11 for the focusing questions to help identify my ONE thing.
  • Productivity is driven by purpose and priority.
  • I need to know what matters to me and take daily actions in alignment with it.
  • Goal setting needs to work from the distant future back to right now.
  • Perseverance is not a long race; it is many short races one after another (Walter Elliot).
  • My biggest challenge is likely to be my need to do other things besides my ONE Thing.
  • It takes elite performers 10 years to gain mastery.
  • The four thieves of productivity are the inability to say no, fear of chaos, poor health habits and an environment that doesn’t support my goals (both people and physical surroundings).
  • Success is an inside job.
  • Chapter 8 has a great discussion about balancing our lives.  For our personal life, the authors talk about the need for tight counterbalancing and that the need to avoid long periods where we’re out of balance.  For our work lives, it will be necessary to be out of balance for long periods to achieve extraordinary results.  They include a quote by the author James Patterson, that describes our personal life as glass balls which if dropped, are irrevocably scuffed, nicked or shattered, whereas our work life is like a rubber ball that bounces back.

I see where I’ve done many of these things at work.  I unwillingly took a job doing state income taxes, only to find out I was very good at it (I wrote the story up here).  The more I practiced and studied, the better I became.  Over time, I pared away the things that kept me from being an expert in my field and concentrated on mastery.  Although I will never know it all, I know more than many people do about corporate state income taxes.

So for my next post the question will be, how do I apply that to my creativity?

Note from yesterday’s post – I went back and added another item to my checklist of what I need to remember for next time.  I also added in some more blooper pictures.  I did a lot of experimenting and it’s a shame to not display all my ideas, even though they didn’t work.

To see everything I’m doing with my 31 Days of Nurturing My Creativity, click here.

To see what others are doing with their 31 Days project, click here.

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Observations On Autumn

 

Used Topaz Labs Impression filters to create a painting
Used Topaz Labs Impression filters to create a painting; this is Witch Hole Pond,  Acadia National Park in Maine

Use what you have, use what the world gives you.
Use the first day of fall: bright flame before winter’s deadness;
harvest; orange, gold, amber; cool nights and the smell of fire.
Our tree-lined streets are set ablaze, our kitchens filled
with the smells of nostalgia: apples bubbling into sauce,
roasting squash, cinnamon, nutmeg, cider, warmth itself.
The leaves as they spark into wild color just before they die
are the world’s oldest performance art, and everything we see
is celebrating one last violently hued hurrah before
the black and white silence of winter.
― Shauna Niequist, Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way

I love that phrase above – that the turning of the leaves is the world’s oldest performance art.

The color change hasn’t quite come to central Virginia yet.  The trees have a yellow tinge – some do at least – others remain stubbornly green, and some are slowly going from green straight to brown.  A few, very few, have started to show red on their tips.

The shadows are lengthening as the sun stays lower in the horizon.  Even at noon there is a long shadow on the ground and the light remains golden all day long.

The seagulls have come back to the James River.  They head somewhere, presumably north, in the spring.  Their return is a sure sign of fall.

It was the opposite when I lived in the Midwest.  The redwing blackbirds would return in the spring.  I’d drive by a field and see them clinging to a cattail, swaying in the wind.  Then one day in August – I never could pinpoint the exact day it happened – but one day, they’d be gone.  Just like that!  And I knew fall was coming soon.

Of course, the food changes in the fall too.  The apples at the farmer’s market?  Wonderful.  They are so much better than store bought apples with their crisp texture and equally crisp, sweet taste.  The peaches and corn are long gone, the tomatoes nearly so.  But the apples and pumpkins are everywhere.  With the cooler nights, I can roast turkeys in the oven again, driving myself and the dogs wild with those wonderful smells.

Used Topaz Labs Clarity filter to brighten up the colors and deepen the shadows
Used Topaz Labs Clarity filter to brighten up the colors and deepen the shadows in the photograph of Witch Hole Pond in Acadia National Park, Maine

Today I nurtured my creativity during my lunch walk by making it a point to simply observe what was around me.  The study of biological phenomena has a name – phenology – which I discussed several years  in my posts here and here.  I have, with practice, improved my observations of nature and what it means.  It’s much more relaxing to walk and notice what’s around me in that moment than to dwell on the latest problem sitting on my desk or plan what needs to be said in a phone conference later on.

Happiness, not in another place but this place…
not for another hour, but this hour.
― Walt Whitman

 I also nurtured my creativity by processing this picture, then using some plug-ins to enhance it more.  The photograph one (directly above) turned out superb, but I rather like the painting one better (at the top).  Although I started with a preset in Topaz to create the painting effect, I adjusted it so that the colors were still distinguishable and it wasn’t just a big splash of bright colors.

Just so you can see what I did, here’s the original photograph before any processing.  Remember that I shoot in raw, so anything will need some further processing before it’s usable.  Were I to shoot in jpg, the camera makes those decisions for me.  It doesn’t start out in a bad place, but it needs some help.

Unadjusted original
Unadjusted original photograph of Witch Hole Pond, Acadia National Park in Maine

To see everything I’m doing with my 31 Days of Nurturing My Creativity, click here.

To see what others are doing with their 31 Days project, click here.

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Baby Bump

There are four stages for enjoying a happy event:
— anticipation (looking forward to it)
— savoring (enjoying it in the moment)
— expression (sharing your pleasure with others)
— reflection (looking back on happy times –
  which is why it may be a good idea to take pictures,
  keep a one-sentence journal, collect mementos, etc.)
– Gretchen Rubin
Author, The Happiness Project

Here are the much requested photos of the baby bump!  And I had to get my daughter in a lobster bib. . . not once, but twice!  And oh, look – Junior wanted some blueberry pie to eat.  Yum!

How do you like that baby bump?  What’s that you say?  She’s starting her sixth month and that’s it?  Yep, that’s it.  Of course being as tall as she is helps quite a bit, plus all her exercise and fitness.  I’m 6″ shorter; by that point in my pregnancy I looked like I swallowed a volleyball.

She’s looking good though and she felt good for the trip.  I had warned her that I’d be taking pictures, so she was a good sport about it.

As for nurturing my creativity, some nights it’s fun to just sit and work on photos.  It’s fun (and nurturing) to look through them, process them without a lot of correction, and simply enjoy reliving the moment they were taken.  The quote above was from Gretchen Rubin’s blog and the post can be read in its entirety here.  Tonight was expression and reflection of a happy memory and fun with my daughter before the baby comes.

I’m not sure which one is my favorite, but I think her holding the blueberry pie is the one I like best.  She has such a pretty expression on her face!

To see everything I’m doing with my 31 Days of Nurturing My Creativity, click here.

To see what others are doing with their 31 Days project, click here.

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More Thoughts on Balancing Life

Eagle Lake in Acadia National Park;  Mount Desert Island, Maine
Eagle Lake in Acadia National Park; Mount Desert Island, Maine

 When you assess your own life, consider it with the eye of a gardener.
Underneath the surface lies rich, fertile soil waiting to nurture the seeds you sow.
Even more than you can imagine will grow there if given a chance.
― Steve Goodier, Author

As I re-read my post from yesterday on balancing my work, personal and creative lives, I realized that the 31 Days Challenge is causing me issues with balancing the personal and creative parts of my life.

One of the goals that I set on at the beginning of this was to develop a body of work for my own future reference, something which I feel I’m accomplishing and very well too – I’m satisfied with it so far.  But some things are missing, gone by the wayside, as I post daily this month:

  • Evening yoga / stretching
  • Sitting quietly to reflect and contemplate
  • Getting other things done (the piles are getting big again)
  • Following up on E-mails and correspondence

I plan to finish out the 31 Days.  Already I’m enjoying referring back to some of what I did, whether to encourage myself or remind myself of my goals.  But it takes me 1 to 2 hours each night to write out my thoughts, pick & process photos, and edit it all to my satisfaction.  A few nights, I skipped my yoga / stretching when I realized I could do one or the other, but not both.  I need to be careful to not be doing that very often.

Sitting quietly to reflect and contemplate has – unfortunately – been a bottom priority for me, even before I started this challenge.  It frustrates me, because it’s important and I enjoy it.  I need to make this a higher priority AND actually do it.  My personal journals fulfill this purpose for me also, but that’s fallen off this month.  There are several things I need to puzzle out and I’m not getting it done.

As for the other chores and follow-ups, they’re not usually fun and it’s amazingly easy to find ways to avoid them.  But given enough time, they drive me nuts and interfere with nurturing my creativity.  It’s like the day I cleaned the house instead of working on pictures.  My energy was high that day and as a result,  I resented cleaning the house far less than usual.  It would have been a shame to sit and work on pictures, when I actually wanted to clean.

How is this nurturing my creativity?  As I’d doodled this out, I realized I needed to list it and refer to it when setting my priorities / expectations at the end of this month.  Although I’m enjoying posting daily, most likely I will blog less frequently in November.  For now, my priority is to post daily as I nurture my creativity by discovering what works and what doesn’t.  These other needs will have to fit around that.

To see everything I’m doing with my 31 Days of Nurturing My Creativity, click here.

To see what others are doing with their 31 Days project, click here.

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Stained Glass in Maine

During my recent weekend in Maine, my daughter and I went into St. Saviour’s Episcopoal Church in Bar Harbor.  She waited patiently as I oohed and aahed over the stained glass, then proceeded to take a bunch of pictures.  According to its website, the church is the “oldest, largest and tallest public building on Mt. Desert Island”.

I offer a selection of those photos as my interpretation of this week’s photo challenge on refraction, which Wiktionary defines as, “the turning or bending of any wave, such as a light or sound wave, when it passes from one medium into another of different optical density”.  These windows were so very detailed that the light coming through was a jumble of bright colors.

I’d like to blithely expound on how this nurtured my creativity.  Well, it didn’t.  I found it frustrating and time consuming, although the end result was quite good.  I think once I get over being frustrated, I’ll be happy for the time I spent on it, but I’m not quite there yet.

Processing these took most of today.  The top 1/3 of several of them were overly dark, I think due to eaves on the outside.  Once I got them looking good, the backgrounds lightened up and the wood paneled walls showed up as maroon noise.  Ack!  My favorite boy toy made several trips upstairs to answer questions and teach me how to use layers and masks in Photoshop.  I got it figured it out too!  So that’s good.  I just wish it wouldn’t have taken so much long.  As is typical with the learning curve, it took me as long to do the first one as it did to do the rest of them together.  Of course, I was doing laundry too, so there were interruptions to hang up and put away clothes.

The pictures were a challenge to take, which is why they needed so much processing.  Thankfully my photography has improved enough that I could switch to manual mode and use spot metering to determine the optimal settings.  However, anything that was lightly colored was blown out (i.e., it showed no detail).  I had to keep slowing down my speed to darken the photos.  Worse yet, I had no tripod and wasn’t sure the church would like me setting on up anyhow.  So I hand held as best as I could, increased my ISO, and hoped for the best.

Below is how it looked before I processed it.  Everything is crooked (something I do too frequently).  The panel of three also has keystoning.  The left and right windows leaned in and while it didn’t look bad, I used transform in Photoshop to straighten them out.  And oops, I also included what my daughter was doing as I took pictures.  She was so intent on her phone, she didn’t notice me taking her picture with my cell phone.

To see everything I’m doing with my 31 Days of Nurturing My Creativity, click here.

To see what others are doing with their 31 Days project, click here.

 #write31days